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Unique, Exciting and Pioneering Work in Relationships

1983 edition by Crescent Books:Its introduction includes an interesting history of the study of minerals. It contains a chapter on the chemistry of minerals, written for the layman yet accurate. The chapter on the Crystalline State considers how crystals grow, with helpful diagrams, habits, crystal structure, symmetry, systems, and optical properties, an otherwise difficult subject written simply for the layman. Another chapter deals with geolgy and the types of deposits minerals are found in, and how to collect, label, etc. A section on ecomonic geology and the interaction of mineral collectors and mines. A chapter on identification of minerals, mostly by their various physical properties (a superb diagram of a home-made specific gravity balance is included!), and a chapter on the fashioning of gemstones. A chapter on conserving and displaying mineral specimens, along with cleaning hints (Note: despite the book, hydrofluoric acid, HF, is NOT recommended for any amateur as this is extremely dangerous; this is the only disagreement or fault that the reviewer found with the book). Also storage, display, and cataloging.
Nearly half of the book is descriptions of minerals, many accompanied by color photographs. This is, however, not an identification guide (use the recommended guide by Pough for that), nor does it cover all species, but the more common ones. This is, instead, a sort of encyclopedia to simply learn by and to enjoy. This is followed by a bibliography containing over 60 excellent references for further study, and an index.
Although not an identification guide, nor a college text, it yet intelligently explains in layman's language some aspects only covered in technical jargon in the usual textbooks, aspects which the amateur may have been curious about but has not studied. This is a superb book for the one who wished to be guided, as if by a museum tour, through the world of minerals. The photographs are wonderful, mostly correlated with the text. The text is accurate, respects the intelligence of the layman, and is clear. It is obvious that the author knows and loves the subject, and has spent a great amount of time and thought in the preparation of this book. I hope he is a mineral museum curator, as his tours would certainly be booked up full. For a tour of the world of minerals and of their collecting, this is nearly as good as a trip to a museuma, and you won't have to wait in line! -DM


Nice book for beginner rock hound

Review of the Encyclopedia of the Ancient World

The definitive book on Eritrea

Excellent Book!

A Non-Greek Perspective on Modern Greek Language & Culture

An important scholar too oftened overlookedCompiling an anthology of the essential writings of E Max Muller is no mean task. While the aim throughout was to include Muller's best-known and most often cited essays and addresses, page limitations have restricted the number of selections to fewer than twenty. As a result, those that have been included represent a mere sampling of his voluminous output, but a sampling, nevertheless, that presents to the reader the range of Muller's research interests in the origins of language, mythology, and religion. In addition, in view of Muller's wide-ranging interests in the comparative study of religion, mythology, folklore, linguistics, metaphysics, and human cognition, it is hoped that the selections in this "essential Max Muller" will be of interest to scholars and students in fields as diverse as religious studies, philosophy, anthropology, early linguistic theory, and the history of Western ideas.
There were a number of problems Stone encountered in editing this collection of essays that needs to be mentioned. The first has to do with the problem of multiple editions of and revisions to his catalogue of works. For instance, there are two published versions of Muller's famous 1870 "Lectures on the Science of Religion," an original edition, first published in 1872 under the title Lectures on the Science of Religion, and an expanded edition, published in 1873, that Muller retitled Introduction to the Science of Religion (as a point of interest, the latter edition was dedicated to Ralph Waldo Emerson). Further complicating matters, each version ran through several printings in Britain and the United States. Worse still, with each printing, Muller suggested corrections and revisions. In absence, therefore, of a definitive edition, for the selection included in this current anthology, "Lecture One," Stone decided to use the 1872 edition, which is closest to the actual lecture his audiences would have heard him give. It is shorter, "edgier," and less circumspect than Muller's revised and expanded versions.
With respect to other essays in this anthology whose originals were not available to me, Stone has had to content myself with using Muller's later and sometimes final versions, such as those essays he himself had selected for his Chips from a German Workshop, which by 1881 had grown from two to five volumes, as well as those he republished in his two volumes of Selected Essays (1881). Additionally, the three chapters from Muller's Lectures on the Origin and Growth ofReligion (1878) reprinted here are from his new edition, published in 1882. For this new edition, Muller updated some of his sources as well as tightened up his prose.
A second set of problems the editor encountered were numerous stylistic and mechanical incongruities. Muller was sometimes inconsistent in his spelling, in English transliterations of foreign words and phrases, and in his use of accent and stress marks. In addition, at least by modern standards, Muller made awkward use of commas, colons, and dashes and tended to write highly complex and overly long sentences and paragraphs. Many of the inconsistencies, of course, can be accounted for in the stylistic differences between his several British and American publishers. But his awkward use of punctuation was probably idiosyncratic. Though, for the reader's benefit, Stone has attempted to bring some consistency in both spelling and punctuation and have sought to reduce and simplify other res extraneae, in the end, it seemed inappropriate to "restyle" Muller's essays to fit modern tastes. For one thing, Stone did not want to dilute the nineteenth-century "flavour" of Muller's writings; and, for another thing, because a large amount of his published work had been written for lecture audiences, retaining most of the original accent and punctuation marks may preserve for the reader Muller's own speaking style; that is, it may allow the reader to "hear" his voice-which, according to contemporary reports was clear, passionate, erudite, and engaging. For instance, as Nirad Chaudhuri relates, after presenting a lecture on the Science of Language in the Council Chamber at which Queen Victoria and the royal family attended, Muller wrote to his wife that the Queen "listened very attentively, and did not knit at all, though the work was brought." When his lectures are read aloud, Muller's punctuation does indeed add variety to the pacing of his phrases and underscores their aural intensity. What is more, his indulgent use of commas and semicolons lends greater coherence to his long but carefully constructed sentences.


excellent

Fantastic resourceLiving in Dubai, I have found myself immersed in South Asian culture, and recently started studying carnatic music on the veena, simply because it was here. Lacking all knowledge of the contexts in which the veena is played, I found myself floundering in my studies. The first teachers I worked with here either haven't had enough English or enough music theory studies to explain the music. I searched on the Net for information about carnatic music, but found that most of the information was written by Indians for Indians, using terms that I don't understand or can't make sense of. What makes this book different is that it is written for Western audiences, and the Indian terms are fully explained. As a result, this book has been a tremendous resource for me in explaining the music theory that I was struggling with, as well as the context of the music in Indian society. I've never read an encyclopedia cover to cover before, but once I got started reading this one, I couldn't stop.